November 2019: Rachmaninov’s All-night Vigil
Concert programme with Utrechts Vocaal Ensemble.
Also works by Pärt, Kreek, Duruflé.
Together with the UVE, Photonen will perform two concerts with, among others, the Vespers by Sergej Rachmaninov. Saturday November 2 evening concert in the Nicolaïkerk in Utrecht, Sunday November 3 afternoon concert in the Dominicuskerk in Amsterdam.
After the first performance of the Vespers in 1915, the enthusiasm of the public was so great that additional concerts were added immediately. With the Vespers, Rachmaninov created a classical masterpiece for choir in the early 20th century. It is directly inspired by the long sung nightly Easter vigil of the Orthodox liturgy that heralds the resurrection festival. Rachmaninov used the hymns from the Russian church but also created innovative sounds by bringing together music from the Eastern and Western tradition. He combined all this into an hour of music that sounds both monumental and tranquil, both melancholic and festive.
The combined forces of the Utrechts Vocaal Ensemble and of Photonen Vocaal Ensemble from Amsterdam, directed both by Jeroen Spitteler, guarantee unforgettable performances. In addition, both ensembles will present themselves briefly with their own varied program, with music by, among others, Pärt, Kreek, Holst and Duruflé.
Soloists: Maria de Moel (mezzo-soprano) and Maarten Stevens (tenor)
Regular € 15 online / € 16 at the venue
Discount (CJP, Stadspas, students) € 10 online / € 12 at the venue
[Stadspas: with green dot at Amsterdam concert / U-pas at Utrecht concert]
May 2019: Regina!
May 2019 Photonen will perform a varied and festive concert programme dedicated to the virgin Mary.
The central piece is Concerto per la beata vergine by the Belgian composer Vic Nees, with an important oboe solo. Also on the programme will be the beautful and serene Salve Regina by Poulenc, and Salve Regina / To the mothers in Brazil by Larsson/Eriksson.
Tavener wrote Mother of God, Here I Stand, an iconic piece echoing the orthodox world to which he felt connected. Jeroen Spitteler composed The May Magnificat, a subtle piece for women’s choir, to a poem by Gerard Hopkins Manley (1844-1889).
The Ave Maria by Victoria for 8 voices presents fine polyphonic splendor and contrast to the pensive Ave, Generosa by Hildegard von Bingen.
Rachmaninov’s Concert for choir gets us back to the 19th/20th century.
With a oboe soloist in our midst we cannot omit Ennio Morricone’s theme song of the movie The Mission: Gabriel’s oboe.
Soloist is award winning oboe player Samuel Agustín Aguirre.
A short documentary about Samuel can be viewed here.
Both venues are located at walking distance from NS Central Station in Utrecht and Amsterdam respectively.
Admission at both venues:
At the venue € 16 regular / € 12 discount
Online € 15 regular / € 10 discount
Discount applies to CJP/student/U-pas in Utrecht/Stadspas with green dot in Amsterdam
Fall concert 2018: Edge of Eternity
In the weekend of November 3rd/4th 2018 Photonen performed its programme Edge of Eternity, an a capella concert programme relating to All Souls’ Day, putting Victoria’s wonderful polyphonic Officium Defunctorum (6-part Requiem mass) from 1603 centre stage, also presenting romantic works by Reger and Rheinberger, and more recent compositions by David Lang and Ēriks Ešenvalds.
Songs from the New World
Sunday 15 April 2018 / Oud-Katholieke Gertrudiskerk, Willemsplantsoen 2, 3511 LA Utrecht
Songs from the New World. 4 pm – 5 pm.
Saturday 21 april 2018 / Waalse Kerk, Walenpleintje 159, 1012 JZ Amsterdam
Songs from the New World. 8:15 pm. This concert is part of the choir series Couleur Vocale (linked info in Dutch). This concert has a a pause.
On ‘Songs from the New World‘
Photonen invites you to a fine and balanced a cappella programme with choral music from the United States, composed in the 20th and 21st century.
North America has a vibrant choral tradition, and Photonen will perform a.o. several works by great masters of American choral music, such as Aaron Copland, whose Four motets are a highlight in American choral history, which the young Copland wrote in 1921 while studying with Nadia Boulanger in Paris, and Samuel Barber‘s To be sung on the water, which adds a beautiful, pensive touch to the programme.
In the last decades, composers have enriched the repertoire considerably, such as Eric Whitacre. Photonen performs Three Flower Songs. Ola Gjeilo, born in Norway but living in the US for quite some time now, composed the lively Unicornis Captivatur to an intriguing, late medieval fairytale-like monastic text, and the meditative Northern Lights.
In the US spirituals are an important source of inspiration. Photonen presents several of them in exciting arrangements by Ken Burton. Especially for this programme Jeroen Spitteler wrote I know Moon-rise, an arrangement for baritone solo and choir of the melancholical spiritual also known as Lay this body down. This same spiritual inspired composer David Lang to write Oh Graveyard.
Aaron Copland (1900-1990); Four motets
– Help us, O Lord
– Thou, O Jehovah, abideth forever (Amsterdam concert only)
– Have mercy on Us, O my Lord
– Sing ye praises to our King
Samuel Barber (1910-1981): To be sung on the water
Ola Gjeilo (1978): Unicornis Captivatur
Ola Gjeilo: Northern Lights (Amsterdam concert only)
Eric Whitacre (1970): Three Flower Songs
– I hide myself
– With a lily in your hand
– Go, lovely rose
Stephen Paulus (1949-2014): The road home
Jeroen Spitteler (1970): I know moon-rise (Lay this body down) – Premiere
David Lang (1957): Oh Graveyard (Lay this body down)
Ken Burton (1970): Steal away to Jesus
Ken Burton: Put on the armour of the Lord
Zondag 10 december 2017
Claudio Monteverdi: Vespro della beata Vergine (1610) met solisten en instrumentalisten.
Opera in de kerk! De gelovigen in de vroege zeventiende eeuw moeten werkelijk niet geweten hebben wat ze meemaakten, toen ze de klanken van de Mariavespers van Claudio Monteverdi voor het eerst hoorden. Monteverdi had met zijn Mariavespers een waarlijk revolutionair werk geschapen, een compositie die de religieuze muziek ingrijpend en blijvend zou beïnvloeden. De vespers kenden een voor die tijd ongekend theatrale aanpak van liturgische muziek. Tal van stijlen en special effects wisselen elkaar af, van de juichende fanfare aan het begin tot het gebruik van echo’s in het Audi coelum. En tegelijk is het werk diep gegrondvest in de kerkelijke traditie: als basis voor de structuur koos Monteverdi voor de aloude psalmmelodieën uit de gregoriaanse liturgie op Latijnse teksten.
Met een korte inleiding door musicoloog Wout Strootman.
Zondag 10 december 2017 – 15.15 uur
Dominicuskerk, Spuistraat 12, 1012 TS, Amsterdam
Photonen Vocaal Ensemble / Photonen Projectorkest o.l.v. dirigent Jeroen Spitteler.
Heleen Koele, Ingrid Nugteren sopraan
Steven van Gils, Gerben Houba, Maarten Stevens tenor
Woensdag 29 november 2017 werd luitist David Mackor, die op 10 dec. meespeelde bij de Mariavespers, naar aanleiding van dit concert geïnterviewd door de Concertzender. Uitzending terug te luisteren via Concertzender Actueel.
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Sunday 10 December 2017: Vespers for the Blessed Virgin – Claudio Monteverdi
Photonen vocal ensemble performed Monteverdi’s Vespro della beata Vergine (1610) on Sunday 10 December in the Dominicuskerk in Amsterdam. A choral performance with renowned soloists, accompanied by Photonen Project Orchestra.
Pious church goers of the early 17th c. probably did not believe their ears, when they heard the mind blowing music of the Vespers for the Blessed Virgin by Claudio Monteverdi for the first time. Monteverdi had created an absolutely revolutionary work, a compositon that changed religious music profoundly and permanently. The vespers introduced an unprecendented theatrical approach to liturgical music, unheard of at the time. Numerous styles and special effects alternate, from the cheering fanfare at the beginning to the use of echoes in the Audi coelum. At the same time, the work was deeply rooted in church tradition: as a basis for its structure, Monteverdi chose the ancient Psalm songs from the Gregorian liturgy, with lyrics in Latin.
The Vespro della Beata Vergine, as the composition is called in Italian, was a breathtaking experience in 1610. And it still is.
Musicologist Wout Strootman gave a a short introduction (in Dutch).
Photonen is an Amsterdam based chamber choir of about 26 seasoned choir singers. Twice a year it offers varied programs at the highest possible artistic level. The choir featured in the TV series ‘Klem’ that was broadcast on Dutch television in spring 2017. Photonen was founded in 1996, and Jeroen Spitteler has been its conductor ever since.
Sunday, December 10th, 2017 – 3:15 p.m.
Dominicuskerk, Spuistraat 12, 1012 TS, Amsterdam
Photonen Vocal Ensemble / Photonen Project Orchestra with conductor Jeroen Spitteler.
Heleen Koele, Ingrid Nugteren soprano
Steven van Gils, Gerben Houba, Maarten Stevens tenor
Tickets: at the door € 25 / online presale € 22,50
Students / Stadspas with green dot: at the door € 17,50 / online presale € 15
Children under 16: € 5
For online pre-sale with discount look here. A small handling fee does apply.
Presale ends on Friday December 8th.
Dominicuskerk is situated in the city centre of Amsterdam, close to Amsterdam Central train station.
Wednesday 28th June 2017: ‘Driekorenconcert’
Photonen vocal ensemble closes this season with a ‘Driekorenconcert’ (Three choir concert) together with Utrechts Vocaal Ensemble, both ensembles are conducted by Jeroen Spitteler, and renowned Kammerchor Manila from the Filipines and now on tour in Europe with its conductor Anthony Villanueva.
Guerrero Ego flos campi
Jeroen Spitteler Bloem der bloemen
J.P. Sweelinck Canticum
Utrechts Vocaal Ensemble (UVE)
Tchaikovsky Cherubic Hymn no. 3
Vytautas Miškinis Angelis suis Deus
Put on the armour of the Lord (spiritual)
Nobody knows (spiritual)
Together Photonen and UVE will perform: Samuel Barber’s Agnus dei
Claudio Monteverdi Zefiro torna e’l bel tempo rimena
Z. Randall Stroope We Beheld Once Again the Stars
Eudenice Palaruan Pasigin (Filipino folk song)
Moses Hogan Elijah Rock (spiritual)
Nilo Alcala Kaisa-isa Niyan (Filipino ethnic song)
Kammerchor Manila from the Filipines, conductor Anthony G. Villanueva, originated as a church choir and is celebrating its 25th anniversary this year. It recently performed a special programme Argentum on several occasions througout the Filipines. The choir is now on its 4the tour in Europe, visiting seven countries. Kammerchor Manila won many prizes and received honours in festivals and competitions, among which in 2014 in Olomouc (Czech Republic) the ‘Absolute Winner Award’ in the Lied-competition. Kammerchor Manila is a versatile and enthusiastic choir, consisting of ca 30 dedicated and partially professionally trained singers. It has its own distinct ‘sound’ and colourful presentation, and performs all kinds of styles, from early music to pop ballads. Recent tour info can be found here.
Wednesday 28th June 2017 – 8 p.m. – De Krijtberg, Singel 446, 1017AV Amsterdam
Sunday 26th March 2017 : ‘Moving Music’
Do you hear the music when you watch a film? Everyone knows the famous theme tune of Star Wars, but how about the moment in The Hobbit when the dwarves sing of Misty Mountains and gold?
Perhaps you don’t always notice how the music makes you feel, swelling into the spaces between the words and telling its own story.
Photonen, the choir featured in the 2017 Dutch television series KLEM, is putting this ‘Moving Music’ centre stage in a performance on Sunday 26th March, at 15.15 in the Waalse Kerk, Amsterdam. The Waalse Kerk (‘Walloon Church’ – a national heritage site) is located in the heart of the city.
The chamber choir of around 26 experienced amateur choral singers has chosen classical and popular music including Dry your tears, Africa by Oscar-winning composer John Williams, I Lie by David Lang, from arthouse film La Grande Bellezza, music from KLEM‚ including Trois chansons by Debussy, and a piece written specially for the choir, Hondsdagen/Dogdays by Martijn Voorvelt – music that is just waiting to find its film.
The concert also includes Samuel Barber‘s Agnus Dei — featured in films including The Elephant Man and Platoon — the widely-recognised Wagner’s Bridal Chorus from Lohengrin (think of Bridget Jones’s Diary), and Star Wars – John Williams is the Man, with John Williams‘ music arranged by Mister Tim.
Come, listen, and let your own images play in your head!
Sunday 26th March 2017 – 3:15 p.m.
Waalse Kerk, Walenpleintje 157-159, Amsterdam
Claude Debussy – Trois Chansons (Klem)
L. Andriessen – Un beau baiser (Klem)
Josquin des Prez – Mille regretz (Klem)
John Tavener – The Lamb (La grande bellezza)
Gregorio Allegri – Miserere (Angela’s ashes / Maurice / Face off)
David Lang – I lie (La grande bellezza)
Samuel Barber – Agnus Dei (The elephant man / Platoon / Les roseaux sauvages / Lorenzo’s oil)
Howard Shore – Misty mountains (The Hobbit)
R. Wagner – Hochzeitsmarsch from Lohengrin (28 Days, Bridget Jones’ Diary, Out of Africa, and many other movies)
Martijn Voorvelt – Hondsdagen / Dogdays
John Williams arr. Mister Tim – Star Wars – John Williams is the man
John Williams – Dry your tears, Afrika (Amistad)